Post Description

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               Martin Taylor - Spirit of Django 
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Artist...............: Martin Taylor 
Album................: Spirit of Django                                                                                                                                    Label................: Linn 
Genre................: jazz
Source...............: SACD
Year.................: 2006
Codec................: Free Lossless Audio Codec (FLAC)
Channels.............: Stereo /  96Khz / 24 Bit
Covers...............: FRONT

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                       Tracklisting
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01.Chez Fernand 
02.Minor swing 
03.Night and day 
04.Nuages 
05.James 
06.Double top 
07.Django's dream 
08.Swing 42 
09.Lady be good 
10.Honeysuckle rose 
11.Johnny and Mary 


:: http://store.acousticsounds.com/images/medium/CLIN_237_SA__13776__01152009113207-6126.
:: Total Size...........: 1.20 GB

:: NFO generated on.....: 16/06/2011 10:55:25 PM                                                                   -------------------------------------------------------------------            
                       Personnel
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Personnel: Martin Taylor, John Goldie (acosutic guitar); Jack Emblow (accordion); Dave O'Higgins (soprano &   tenor saxophones); Alec Dankworth (acoustic bass, cabasa); James Taylor (snare drum).
Recorded at Castle Sound Studio, Pencaitland, United Kingdom on June 27-29, 1994 and August 8, 1994. Includes   liner notes by Brian Morton.
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Personnel: Martin Taylor (acoustic guitar); Alec Dankworth (guitar, double bass, percussion); John Goldie   (acoustic guitar); Jack Emblow (accordion); Dave O'Higgins (saxophone); James Taylor (drums).
Recording information: 1994.
Something about this album captured more than just the core of jazz buffs and fans of Taylor's exquisite   acoustic jazz guitar. It sold remarkably well and was universally applauded. Taylor is supported by Alec   Dankworth (bass), Dave O'Higgins (sax), Jack Emblow (accordion) and guitarist John Goldie. The concept of paying   homage by playing in Django's style, but not necessarily following his songs, is highly original. To choose to   Djangoize Gershwin's "Lady Be Good" and Cole Porter's "Night And Day" was clever. To Djangoize Robert Palmer's   "Johnny And Mary" and Pat Metheny's James Taylor tribute, "James," was inspiring

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